private harvesting of public linguistics
Since the lockdown, I adopted 2 strategies, mainly on Bandcamp:
1_dedicating music to friends, my mental theatre, accompanying me now as before; inspiring and being inspired by friends, from all over the world,
often or rarely met, now as before… with so many already experiencing a very intense virtual life, symbolically driven…
Mainly metacomposing on pop or classical pages, defacing, transfiguring them, referencing or hiding blocks and parts, meeting or betraying expectations (…)
Meta-Djing the classics, reprise _ metamusic research _ act 5
Light Meditations on Light _ metamusic research _ act 6
InterClassics and the category of sametimeness _ metamusic research _ act 7
2_establishing new compositional collaborations (with Pietro Scardino, Dariusz Mazurowski), consolidating old compositional collaborations (Heinz Leib), like conversations… well, in a mature virtually-intensified world, conversations would symbolically be traceable compositions, especially if the awareness of their forms over time resembles more the shape of a dynamic housing than of a traditional music piece (…).
SUD SUD SUD _ The Scilitans, Lorenzo Brusci Pietro Scardino Duo